Tell us a little about yourself and your background?
Thank you, Tina, for letting me stop by. To my readers of fantasy and romance, I’m Helen Henderson. To those of my historical westerns, they know me by the name of my ancestress, Jessie Treon. My Gemini sign matches my heritage and shows in my writing in multiple genres which are perfect for a tour guide to the stars, the Old West, and worlds of imagination.
What are you working on at the minute?
A companion book to the Dragshi Chronicles is readying for flight. First Change consists of a collection of short stories and novellas from history and legend of the dragshi–humans with a twinned dragon soul. Another tale of the Archmage, Lord Dal, and the sea captain, Lady Ellspeth, is drifting just offshore, awaiting the scribe to capture it. Besides working on the novels, I’ve decided to try something new in 2017. I will be participating in my first writing challenge, a post a week on a specified topic in 52 weeks.
Do you work to an outline or plot or do you prefer just to see where an idea takes you?
Shorter works such as novellas are usually free written. I do like structure for full-length novels, but I don’t hold to the hard rule of outlining the entire work before starting to write. When I write, I storyboard or write the draft of a scene or chapter depending on how much the muse is visiting. A scene in the storyboard might have a line describing the setting, an annotation of whose point of view I expect it to be in, and maybe three to five bullet points. Or, if the muse is visiting that block in the storyboard will be completely fleshed out with dialog, transitional phrases and be a true first draft. As I get deeper and deeper into the story and the characters take over, there are less stubbed scenes and more completed ones. Usually by the time I get to the end of the storyboard I have a complete first draft ready for editing and peer review.
How long on average does it take you to write a book?
That really is an unfair question. A number of items impact the time to complete a story. A book written in the early days of my career took longer than the most recent one. Generally, a full-length novel takes a year from initial draft to the publication-formatted manuscript. A novella can be completed in a month if the fates allow. As a caregiver sometimes emergencies and life gets in the way of writing which can impact the time to write. Although I have written while sitting in doctors offices, emergency rooms, and at 2 in the morning.
Do you ever get writer’s Block? Any tips on how to get through the dreaded writer’s block?
My response in the past to a question regarding writer’s block was that I usually don’t get it. I have too many projects going on. However, never say never. Two novels, both set in the world of Windmaster, refuse to cooperate. There was too great an age difference between the male and female lead characters. That problem was solved by changing the point-of-view to different characters. However, the storyline had one of the “now-secondary” characters go on a journeyman walk and after a battle stay in a foreign land. To keep the series integrity, the original intent that it would be the tale of the next generation, the girl going walkabout would be no older than seventeen. Again the age felt inappropriate for the storyline. That is being re-evaluated.
The second novel in the Windmaster series awaiting a scribe faced the problem of expanding a paragraph-long legend to a full-length novel. The first two chapters came easily, then life interfered and a break occurred.
As to how to overcome the writer’s block, for the one book, time will be set aside to re-read the first two novels in the series and re-immerse myself in that world. A visit with the original characters will, hopefully, get the next generation talking to me.
I see you’ve written a series called THE DRAGSHI CHRONICLES. Can you tell us a bit more about your series, and what draws you to writing it?
The Dragshi Chronicles are action-filled, romance-laden fantasies about a group of men and women who are more than just what you see, but are two beings—one human, the other a dragon. The pair share one body in space and time and are able to change forms with the other at will. But be warned, a dragon form comes with more than just the freedom of the sky.
Each book is a stand-alone tale. The first book is Dragon Destiny. For hundreds of years, Dragshi Lord Branin and his dragon soul twin Llewlyn searched for their intended mates. Lady Broch of Ky’Port, the firebrand leader of a band of raiders, vowed to marry the dragon lord, with or without his willing cooperation. Everything changed the day a wistful thought touched Branin’s.
Hatchlings Curse continues the story of Lord Branin and the trader girl Anastasia. Branin means to break the hatchling’s curse and end the childlessness of the dragshi. To save his kind he has to win the mating flight. And the cost? All he treasures. Throwing the competition is not an option.
The series continues with Hatchling’s Mate. Talann’s dilemma. No dragons sang a welcome at his birth, so how is he to save all dragon shifters. Or, save himself from the mind control wielded by the leader called – the Parant.
Hatchling’s Vengeance completed the series. Lady Glynnes Janaleigh had found her mate, but finding him is only half the battle. Keeping him alive is the other when duty has other demands and Fate holds all the cards. On one card is written: “Vengeance has two paths—death or love. And a long memory.”
As to what drew me to the world of the dragshi? My heritage is the child of a coal miner’s daughter and an aviation flight engineer. My world was grounded in the rural life and the skies. I grew up on a farm watching hawks soar overhead. The hawks became dragons and my desire to fly became real.
You have so many lovely book covers, can you tell us if you have a favorite and why?
While I love all the covers (even the ones I created), my favorite cover is Windmaster by Michelle Lee. The alluring model and ship hints at fantasy, magic, pirates and romance. Oh, wait a minute. Windmaster is all those things.
What would you say are the main advantages and disadvantages of self-publishing against being published or the other way around?
At this point in my career, I am now what is called a hybrid author–someone with one foot in the indie world and the other in the more traditional publishing arena. When I first embarked on publishing my own works, I was fortunate enough to have the contacts to overcome a disadvantage many independent authors encounter–the building of your own stable of technical experts from cover designer to copy editor to proofreader. An even bigger disadvantage is the social isolation. When you’re with a publisher, the authors support each other. You benefit from their social media reach and they yours. Fortunately, if you look for them, groups of independent authors have formed that provide a similar function.
Publishers, especially small press, can be a security blanket, a launching pad, or the perfect place for an author to call home. They have extended reach, resources, and enable authors, who don’t want to run their own company, to learn, grow, and become “published authors.”
Where can readers find you on the World Wide Web?
GOOGLE + –http://ow.ly/JEZug