Tell us a little about yourself and your background?
I was one of those kids who loved to read and loved library day at school. I was also the daydreamer whose mind would wander and create stories. I thought everyone did that.
However, I went to college and studied business because my dad told me I should so I could get a job when I graduated. Yes, he was a business guy. I worked in banking, got married, had two kids, but was always spinning stories in my head. Usually, they involved me as a character on a TV show opposite my current celebrity crush.
Then I came up with this story that I couldn’t get out of my head. I finally decided to write it as a movie script. Remember, I was a business major. The longest thing I’d written was a ten-page term paper. But when I’d tell people the story, they’d listen to the whole thing. I had a gift for storytelling, but I had to learn the craft of writing. I did that for script writing but after two friends told me they’d love to see the story as a book, I switched gears to writing novels and had a lot to learn. I joined RWA and my local chapters and spent several years learning and taking classes and entering contests to get feedback.
That original story still lives in the recesses of my mind and a hard copy in a drawer, but it would need a total rewrite. I did a lot of research for the first movie script turned book as the hero was an Army Ranger, and that research got me involved supporting troop and my heroes all tend to be in or have served in the Army.
How do you make time to write?
I’m fortunate not to have an outside job. While my kids were home and in school when I started writing, both have graduated college. My son is married and lives across the country. My daughter is living with us during this fun time known as the CO-VID Pandemic and my husband has been working from home – which has presented some challenges and changes in process this past year, but I typically spend most of my day in my office writing (okay, and playing some games and spending too much time on Facebook) but I also love writing retreats and go on one or two a year from a few days to a week. However, I really miss meeting up with my writer friends at Panera!
Do you believe in writer’s block?
I believe in it, however, I don’t suffer from a lack of ideas. I have a folder of story ideas that pop in my head and may write someday. My problem is focusing and writing fast enough — which is where the retreats come in handy.
Tell us a bit about the genre you write and why you love it.
I have four books published in my romantic suspense series. It features the Army Bad Karma Special Ops team whose love lives are as dangerous as their missions. It hails back to my start with screenwriting which got me involved in troop support. Many secondary characters are based on military friends I made, however, they rarely tell me mission stories so those are all from my overactive imagination. I love being able to honor our troops with stories of their heroism and give them happily-ever-afters. I also like writing smart, strong, kick-ass heroines with lives far more exciting than my own.
I’ve just finished my first romantic comedy, FAKING IT WITH THE BACHELOR, which is based on a reality TV dating show. The hero just got out of the Army and is ready to find love, so his sisters nominated him to be on the show. He lost the bet with them and is now cast to be the lead, only tears are his kryptonite and once he realizes what he’s got himself into, he’s having major second thoughts. He’s also crushing on the producer planning the fabulous dates for him and the women battling for his heart. It’s full of drama, snark, villainesses, and more drama.
How are you publishing your recent book and why? (*e.g. Indie, traditional, or both)
I indie published my romantic suspense series after parting with my former agent and my second agent sharing how the big traditional publishers were not signing debut romantic suspense authors. I wanted to release the three books I had written fairly quickly and felt I could make more money and enjoy the process more as an indie. I wrote a prequel novella and published the four books in 2020.
I just sent the Rom-com to beta readers and may query agents and possibly traditionally publish it – but only if I’m offered a sweet print deal to get on bookshelves and expand my reach.
Are you an Introvert or Extrovert? How does this affect your work?
I’m an extrovert who can talk to strangers and in front of groups. That’s helped me network with other authors and I enjoy interacting with readers and fans. It’s also helped when it comes to research as I made friends with many of the troops I supported, and they are my go-to men and women for military questions – though I still haven’t managed to get a ride in a Black Hawk helicopter. The nice thing is, even with CO-VID and not getting to be around a lot of people, my characters keep me company, so I don’t get lonely.
What is your favorite motivational phrase?
If it’s not fun, why do it?
That’s probably why I like having the control of doing it indie. I can keep it fun.
What advice would you give to aspiring writers?
One person’s opinion is their opinion, however, if two or three people, especially contest judges or critique partners, tell you the same thing, pay attention. Learn. Develop a thick skin. Be patient and persistent. Your first book may be practice and have to be rewritten (like a dozen times) and still not sell but move on to the next book. Don’t give up after five or ten or fifty rejections, because writing is subjective and finding the right agent or editor is like finding a person you want to spend the rest of your life with – and it doesn’t always work out. The dream and affirmation of publishing traditional isn’t as romantic and picture perfect as you might think, so be open to publishing indie, but take the time to learn craft and hire professionals to do the things you are skilled to do or don’t enjoy doing.
Where can readers find you on the World Wide Web?
And if you sign up for my author newsletter, https://www.tracybrody.com/newsletter-signup you can get the free novelette, UNDERCOVER ANGEL, which is the backstory or how Sergeant First Class Tony Vincenti met FBI Special Agent Angela Hoffman.
Do you have an excerpt you’d like to share with us?
Of course. Here’s the opening from DEADLY AIM, the first full length in the Bad Karma series.
Colombia, South America
Training mission, my ass.
Kristie Donovan banked her Army Black Hawk to the right and pushed the helicopter to max speed. It wasn’t the time for an I-knew-it moment over her suspicions that there was more to this assignment than being sent to train Colombian Army pilots on the electronic instrument systems in their newer Sikorski UH-60 Black Hawks.
Command radioing new orders to pick up a “package with wounded” had Black Ops written all over it. Especially when the coordinates took them right into the heart of an area known for cocaine production. Army “need to know” at its best.
“How far to the LZ?” she asked her Colombian co-pilot trainee.
Josué checked the GPS. “Thirty klicks. If I am right, this is not what you call ‘landing zone.’”
“Meaning …?” Even with the tropical heat and full uniform, goosebumps erupted over her arms.
“Like sixty-meter clearing.”
“You use it for practice?” She could hope.
“But helicopters use it?”
“Small ones owned by cartel.”
Josué might be a relatively inexperienced pilot, but he knew the players here, and his wide, unblinking stare told her more than she wanted to know about who used this clearing. And for what. Great. Let’s use a drug lord’s landing pad. I’m sure he won’t mind. He might even send a welcoming committee—a well-armed one.
Sixty meters—if the jungle hadn’t encroached. Drops of sweat trickled down her neck the closer in they flew.
She pulled back on the cyclic stick and slowed the helicopter. The blur of the jungle came into focus. She leaned forward, her gaze sweeping left to right through the windscreen at the terrain below. Nothing but trees, trees, and more trees. The thick veil of green hid anything, or anyone, on the ground.
“Do you see the LZ?” she asked her crew chief and gunner.
“Negative,” they reported from their vantage points on either side of the aircraft.
“We’re not giving anyone extra time to make us a target. Not in daylight.” She keyed the radio mic to hail the package on the ground. “Ghost Rider One-Three to Bad Karma, come in.” Energy drained from her limbs as she envisioned the scenario that would keep them from answering. “Ghost Rider One-Three to Bad Karma, come in.”
Continued silence saturated the air. No, she wasn’t too late. She refused to believe—