Please welcome Brian Barr to The Clog Blog, who like me is a member of Writer Zen Garden. Brian, can you tell us a little about yourself and your background?
I’m an author of speculative fiction: science-fiction, fantasy, and horror primarily. I write novels, short stories, and comic books. The first novel of my Carolina Daemonic series, Book I: Confederate Shadows, was released in 2015, followed by Book II: Rebel Hell last year and Book 0: The Daemonic Civil War this year. I co-created and co-wrote the comic series Empress with Chuck Amadori in 2014, drawn by Sullivan Suad and Zilson Costa, which I would love to resurrect after we can garner more interest and possibly get a comic publisher behind. So far, my most-read books have been The 3 H’s Trilogy, which starts with The Head.
What draws you to the genres that you write in?
I’ve always loved speculative fiction since I was a kid. I grew up in a household where Stephen King, John Saul, and Dean Koontz were on the shelves. By the time I got into Clive Barker as a teenager, I knew the main type of fiction I wanted to write- dark fiction with a mix of the bizarre. When it comes to science-fiction, I’ve always leaned towards cyberpunk since I watched Katsuhiro Otomo’s Akira, which is one of my favorite stories.
I’m almost scared to ask but, where do your ideas come from?
Dreams, my life, and out of nowhere. I believe in writing what you know and what you’re passionate about, but my best ideas will just come when I least expect them.
How did you deal with Rejection Letters if you received any?
I submit to other places or publish the works myself. Rejection letters can be helpful when the editors tell you the things you could work on to improve the story, even if they liked them. I’ve had editors who rejected my stories but asked me to change a few things, then accepted them. I’ve had other stories that had been rejected by other houses by accepted by others. So I’d tell any writer not to get bummed about rejections- it doesn’t mean that your work isn’t good or that you’re an inept writer; most of the time, a work doesn’t fit an anthology or publisher and there are always other places where you can submit.
What are your current projects?
I’m writing the last Carolina Daemonic novel, Book III: Union. Be on the lookout for it! I’m also planning on writing some more short stories, including a sequel to my short story Hover.
How do you think you’ve evolved creatively?
I’ve become more aware of what I like to write, how I like to write it, and which audiences work best for me.
Where can readers find you on the World Wide Web?
Amazon is the main place you can find my works, but I’m also on Barnes and Noble, Comixology for Empress, and other book retailers.
Do you have an excerpt you’d like to share with us?
Sure! Here’s an excerpt from my Carolina Daemonic series:
Many final scenes and memories flashed in Zev’s spiritual sight, as he slowly rose from his induced coma; his hands ripping at the cocoon of chaotically pulsing skin and tissue wrapped around him. He could remember the feel of the amulets on his neck and in his hands, the summoning of great golems sweeping the Southern landscape, disguised as Union soldiers with Hebrew letters on their foreheads, giving each earth-made man their own name and number.
Figures formed from American dirt and clay rose from the earth, wearing blue uniforms and carrying guns of their own, while the South played the hand with its own collected brand of zombie soldiers. The dead and the supernaturally conceived blended in well with the horrors of war, fighting alongside their human comrades; farms burnt to ash, slaughtered civilians rested in mud pits, and along dirt roads.
I had been commissioned, the rabbi’s son remembered, commissioned, and given asylum.
Back in the President’s office, in hidden rooms behind brothels, in the homes and tents of generals… everything was coming back in flashes, in stretched moments of time. Zev had sat in backrooms with war strategists, watched them draw up maps of Gettysburg, Appomattox, Yorktown, and New Orleans. A usually drunk Ulysses S. Grant had offered the magician a swig of liquor and scowled when it was politely refused. Zev had drawn up his own images to show the generals that had hired his services, explaining the intricacies of the Etz HaChaim, the powers of the Melakhim… most of the time, the men offered blank stares to the rabbi’s son, but none of them thought he was crazy. They knew of his great reputation, and they had already seen his powers on the open field, along with the other occultists they had a pleasure to work with.”