The synopsis is an integral part of most submission packets, including my most recent agent submissions. This was a struggle for me, as I hadn’t written one since I published “The Pilot and the Pinup” with Liquid Silver Books. A fellow author told me to break each of the chapters down into paragraphs. I did exactly that and it was quiet the disaster.
The Acquisitions editor at the time informed me I suffered from Dreaded Synopsis Syndrome. Boy did I ever. LSB requested a love scene (probably to make sure I didn’t purple-prose the hell out of it) and the last chapter (likely to make sure the book was done). They accepted my full ms and I never had to write a synopsis for them again. Thank the writing gods.
Thankfully, My other digital publisher, Resplendence Publishing, didn’t require the synopsis. Whew.
Now that I’m looking for an agent I’m back in the land of having to write a synopsis. Ugh!
Luckily, there is a ton of info on the interwebs on how to write one. I found this site to be very helpful.
I sent off my first query for The Courtesan of Constantinople on September 1st to an agent. I’ve done Query Letters before to publishers, but this was a bit different.
It still had the blurb portion and writing credits, but the letter doesn’t contain the hard sell that I would have in a query to publishers.
When querying publishers, I’m aiming for a specific line, so I’m very specific in my query of how my book will fit into the publisher’s line. I’m selling them my product.
When querying agents, I’m selling me and my brand. It’s a bit more of a soft sell. I’m telling them what I write so the agent can decide if we will be a good fit.
I’ll be sending off more queries, along with sample chapters and the Synopsis. How I hate the Synopsis-Its such a struggle for me. Digital publishers usually take a query and the complete manuscript, so I’ve been a bit spoiled. I haven’t had to write one since my very first, “The Pilot and the Pinup” story was published. I’m sure there will be some learnings ahead.